![]() ![]() This is an alternative option to DaVinci Resolve, it requires less hardware and it’s better suited for those with slower computers.ġ1 – Extra: Resolve for social media (10:48) We’ll learn to export our timelines from DaVinci Resolve using presets created specifically for social media platforms.ġ2 – Extra: Shotcut for social media (07:29) We’ll learn to export our timelines from Shotcut using presets created specifically for social media platforms. BEGINNER LEVEL LESSONSġ – Introduction (1:00) Quick introduction with me explaining briefly what we’ll learn on this course.Ģ – Editing tools (1:31) The tools we need for editing all our time-lapses and where to download them.ģ – Editing: 1° example (21:29) Editing of the first image sequence using Lightroom and LRTimelapse.Ĥ – Lightroom export (3:10) We’ll learn how to export an image sequence with Lightroom to use it later in LRTimelapse.ĥ – Rendering with LRTimelapse (8:34) How to properly configure and do a render (image to video conversion) using LRTimelapse.Ħ – Editing: 2° example (28:03) Editing of the second image sequence using LRTimelapse and Lightroom.ħ – Editing: 3° example (15:26) Editing of the third image sequence using LRTimelapse and Lightroom.Ĩ – Editing with DaVinci Resolve (24:05) We’ll learn how to create a rhythmic edit using a song and the renders from LRTimelapse.ĩ – Conclusion (01:19) Brief closing for the Introduction to time-lapse editing course.ġ0 – Extra class: Editing with Shotcut (26:31) We’ll learn to create a rhythmic edit using a song and the renders from LRTimelapse. This is the ideal option if you want to truly learn about 4K UHD time-lapse post-production editing so you can use it on your projects or sell them online, where one of the main things that stand out is quality. You will also get all the content I use to teach (image sequences and videos), as well as different tools (presets, templates and scripts) to make everything go faster. In the 52 lessons divided in three parts of this course we will see how to get your post-production to the next level. What's happened at this point, is that they're being processed, and that the flicker reduction is being applied to the images.In this course you’ll learn absolutely everything you need to know to make your time-lapses look perfect. Now at this point, if I return to Adobe Bridge, and unselect my filters, you'll notice that all the images are updated. So, I could choose Save to write the metadata to files. ![]() If I take a look here at the fields, you'll see they've updated. Now, this means a subtle value change, and if I put less smoothing. And you'll note as I do that, that the green curve is fluctuating more. ![]() This particular image had a lot of flicker, so I'm going to apply a higher change. ![]() Once that's done, you've got the ability here to take a look. If we pop that out there, you can see that fluctuation. This'll take a look and calculate the values of brightness across the frames. I usually favor a broad flat surface, and some of the sky. Make sure you highlight a region that you want to analyze. Before you Deflicker, there's a few important options. Now that that's done, I'm going to choose to Deflicker. So while it technically didn't transition, it did completely apply that application of changes across all the frames. Now, there's technically no need to auto-transition because I use the same value, but it was important that those other images that weren't processed were adjusted. When I click the Reload button, it'll load in those changes. If you had made those adjustments inside of Lightroom, make sure you go back to the grid view and save the metadata to the files. With the Bridge workflow, the metadata is automatically updated. ![]()
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